‘I wish our cinema had more anger in it’https://indianexpress.com/article/cities/mumbai/i-wish-our-cinema-had-more-anger-in-it/

‘I wish our cinema had more anger in it’

On the 100th year of Indian cinema,director Dibakar Banerjee shares his favourite cinema stories.

On the 100th year of Indian cinema,director Dibakar Banerjee shares his favourite cinema stories.

Do you remember the first film you ever saw?

I was about three when my parents took me to watch Naya Zamana. I have vague memories of Dharmendra,Hema Malini and a wet dance.

Share some screen images that have made an impact.

One of the earliest visuals I recall is of a song that I saw in Pradeshik Chitrahaar,where a woman was singing on a beach and the fishermen were trying to catch her with nets. I remember Sharmila Tagore in the final scene in Devi,where she bites the flowers. I was influenced by the visuals of the French film Z,which is the reason I made Shanghai. For some strange reason,I also remember Amitabh Bachchan’s blue eyes as Babu in Satte Pe Satta.

Which film was the tipping point for you to turn director?


The idea began crystallising when I was 16. By this time,I had seen a lot of French,German,English,Hindi and East European films,thanks to Doordarshan and some film festivals in Delhi. Films such as Pradip Krishen’s Massey Sahib,Mirch Masala,and Shyam Benegal’s Junoon and Manthan had hugely impacted me but it was while watching Ketan Mehta’s Holi that I knew I’ve to do this. Shekhar Kapur’s Bandit Queen was also a huge factor—I had seen it so many times that I had memorised the credit roll.

What about the first film you ever wrote?

The first film I ever wrote has not been made. It was about a 2nd Lieutenant and his very experienced but skeptical Joint Commissioned Officer (Subedar) caught in an ambush. More than a film script,it was my attempt to show off my English writing prowess.

What has been your contribution to our cinema?

I have no idea but recently during an interview,Zoya Akhtar spoke about my detailing and said that she watches my films for the background action,so I guess that’s what I’m good at.

What’s the craziest thing you have done after watching a film?

When I was a kid,I once turned our drawing room into an obstacle course race after watching a Bond film. I threw in cushions,sofas,chairs and paintings just so that I could play Bond. After watching Gandhi,I spoke truth for a week.

A recent film you wish you had directed?

Anand Gandhi’s Ship of Theseus gave me serious doubts about myself as a filmmaker. I seriously introspected about my thinking and my approach as a filmmaker.

Share a quick-fix direction trick?

Often,character actors are nervous so they tend to overact while main actors underact,so I try and combine my takes in such a way that the equilibrium is maintained. So 6-7 takes are done to tire out the character actors and warm up the main actors. Also whenever I’m in doubt,I cast non-actors or theatre actors who have never faced a film camera. Also,since I tend to use a lot of smoke and dust,my production designer makes sure that either dosas or samosas are fried in the background to get the desired effect. In Love Sex Aur Dhoka,in the last scene with Naina,we had a burning wok off camera just so that I could get the smoke! I also like using lots of blinking lights.

Any filmmakers you would have liked to assist?

Stanley Kubrick because he does things with the craft that I can never do. Martin Scorsese till Gangs of New York — I’d love to learn how he gels with his actors,how he handles their ego to get the kind of work he does from them. I’d like to steal the short divisions of South Korean director Joon-ho Bong. I love his Memories of Murder and Mother. I wish I could assist Matteo Garrone.

Is there any trait that you want to steal from any of your contemporaries?

I’d like to steal Sanjay Leela Bhansali’s treatment of music,dance and women. He knows something about this trifecta. I’m enamoured by Anurag (Kashyap)’s desire to shock— from this urge to shock,he does come out with something new all the time. I’d like to learn Shekhar Kapur’s method. From Ram Gopal Varma,I’d like to learn how to be an economical director—Ramu takes the minimum time to set up a scene.

What do you think needs to change in our films?


I would like if we don’t have intervals in our films but then that’s stemming from a Western concept while in India,cinema is still not driven by a story or idea delivery,its still very much a star delivery and community mechanism. I also wish our cinema had more anger in it but then,there is so much anger in real life.