Premium
This is an archive article published on January 12, 2025

Jaipur’s heritage kite market stares at bleak future: ‘We make enough for dal-roti, not ghee’

According to kite makers and traders, although business has picked up post-pandemic, the rising cost of raw materials and labour prices have meant that Jaipur’s traditional kite makers in Handipura are now calling it quits.

JaipurWith Sankranti round the corner, the Jaipur kite market is abuzz, but even as kite makers gear up to make their biggest sales of the year, their hopes are speckled with a degree of uncertainty, arising primarily out of the future of the business. (Express Photo)

At Jaipur’s Handipura Kite Market, Saleem Qureshi, 59, is sitting at a low table, painstakingly assembling an azure and red kite by hand. The process is tedious – first, he cuts and crafts delicate kite paper to fit the fragile wooden kite frame. Then, he must attach strips of paper to other parts of the kite, its body and even its tail. Then he attaches the bridle line, or the manjha, to the delicate kite.

Each kite takes 10 minutes to assemble, and Qureshi, who has been doing this for the last 45 years, makes 150 kites a day and gets Rs 500 for his efforts. As Makar Sankranti draws near, business is picking up but Qureshi wants to make sure this line of work stops with him.

“I’m the third generation of my family doing this. I’ve been making kites since I was 11,” he says. “The job is time-consuming. Sitting on the floor every day to barely make Rs 15,000/month is something I don’t want my children doing.”

jaipur, kites “High investment and poor returns have meant that more and more of the younger generation are staying away from the industry,” Abdul Hameed, a kite wholesaler. (Express photo)

Saleem isn’t the only one facing this predicament. With Sankranti round the corner, the Jaipur kite market is abuzz, but even as kite makers gear up to make their biggest sales of the year, their hopes are speckled with a degree of uncertainty, arising primarily out of the future of the business.

According to kite makers and traders, although business has picked up post-pandemic, the rising cost of raw materials and labour prices have meant that Jaipur’s traditional kite makers in Handipura are now calling it quits.

“Previously there were 120 workshops in Handipura. But high investment and poor returns have meant that more and more of the younger generation are staying away from the industry,” Abdul Hameed, a kite wholesaler.

As a result, close to a third of the shops closed. And among those left, several male kite makers left to take up other jobs in what was previously a male-dominated industry, leaving the womenfolk to take up the work and manage shops instead. Now there just around 10 male kite makers left in the area.

Story continues below this ad
Jaipur While the Bareilly manjha has a softer bridle line with a wooden spool, the Jaipur one is made of plastic, with “Chinese manjha” coated in glass or metal powder to make it sharp. (Express photo)

According to the city historian Vinod Joshi, kite flying was made popular here by Maharaja Sawai Ram Singh II, the ruler of Jaipur from 1835 to 1880, who brought this tradition from Lucknow. His kites are still showcased at the City Palace Museum in Jaipur.

“The exact history of the establishment of Handipura market is not recorded but it can be assumed that with the popularity of kites in the city the traders from Uttar Pradesh came here and settled down. Jaipur has a vibrant history of kite flying. There used to be many ustaads (masters) of kite flying in Jaipur who used to fly one hundred kites at a time,” he said.

But Handipura doesn’t just host Jaipur’s kite makers. Every year from December to February, kite-makers come down from various parts of UP, especially from Bareilly, to rent shops and sell their products.

Bareilly kites, according to traders here, are the most popular – with smoother frames and finer paper, called ‘Katema Kagaz’. Kite makers and traders claim that it’s this that keeps them longer in the sky.

Story continues below this ad

“Bareilly kites are good quality, higher in price and in demand,” Saleem says.

Jaipur Every year from December to February, kite-makers come down from various parts of UP, especially from Bareilly, to rent shops and sell their products. (Express photo)

Typically, Jaipur kites cost between Rs 3 and Rs 30 while Bareilly ones range from Rs 8 to 70. A major difference between the two are the manjhas. While the Bareilly one has a softer bridle line with a wooden spool, the Jaipur one is made of plastic, with “Chinese manjha” coated in glass or metal powder to make it sharp.

“Before the Chinese manjha got in trend, Manja of Bareilly was sold all over India in high demand,” Mahfooz Amin, a 56-year-old kite trader from Bareilly, says. “Although Chinese manjha is banned, many shopkeepers still sell it. The Chinese manjha is made on a machine which is cheaper but dangerous because it can cut people. There have also been instances of children getting electrocuted when the manjha touches an electric wire.”

Shopkeepers say the pandemic severely affected sales, but business is now picking up.

Story continues below this ad

Abid Bhai Patangwaale, who owns a kite shop in Handipura, says he hopes to do good business this year. “The season is good with orders arriving from all over the country. In Jaipur, Sankrant is a big festival. Most of the shopkeepers are expected to get at least Rs 2 lakh profit from December and January sales,” he says.

Despite this, however, shopkeepers admit the times as stressful. “The business is not as it used to be. The majority of the kites do not send for more than Rs 10. We do not make enough profit to buy ghee but enough to buy dal roti,” Abdul Amin says. “There’s just enough money to buy dal-roti but not enough to buy ghee.”

Parul Kulshrestha is a Principal Correspondent for The Indian Express, based in Rajasthan. A lawyer turned journalist, she brings a unique cross-disciplinary perspective to her reporting, blending legal precision with deep social inquiry to cover one of India's most culturally and politically vibrant regions. Expertise and Experience Legal-Journalistic Synergy: Parul’s transition from a legal background to mainstream journalism provides her with a distinct advantage in interpreting policy, legislation, and judicial impacts. This expertise allows her to "read between the lines" of government orders and court rulings affecting the public. Diverse Beat: With years of experience across both mainstream newsrooms and independent journalism, she has built high-level authority in several critical areas: Nomadic Tribes & Marginalized Communities: She is recognized for her sensitive and in-depth reporting on the struggles and rights of Rajasthan's nomadic populations, often giving a voice to those outside the traditional political spotlight. Gender & Social Justice: Parul focuses on the intersection of law and gender, covering issues ranging from women’s safety and reproductive rights to the socio-economic empowerment of rural women. Environmental & Political Reporting: She tracks Rajasthan’s complex political landscape—including electoral shifts and bureaucratic changes—alongside critical environmental concerns like water scarcity and land use. Academic & Professional Pedigree: Her background as a lawyer, combined with her rise to the rank of Principal Correspondent at a national broadsheet, establishes her as a senior voice in the media landscape. ... Read More

Stay updated with the latest - Click here to follow us on Instagram

Advertisement
Loading Recommendations...
Latest Comment
Post Comment
Read Comments