Arms and the Man

Bangalore-based theatre artiste Anish Victor’s new piece, Koogu, is “a call to the warrior who resides in every being”

Written by Dipanita Nath | Published: June 14, 2014 4:12:11 am
A scene from Koogu A scene from Koogu

This quietly rebellious play begins —  unlike all theatre traditions — at the gate of the hall when the audience is walking in. The people gathered for a show of Koogu (Kannada for shout) have no inkling that the man hanging around and chatting with them casually but constantly is the evening’s solo actor Anish Victor. Having created a haze of unknowingness, the Bangalore-based actor enters the stage and continues with his performance in which dance, sound, and song are wrapped in a series of conversations that are “a call or a paean to invoke the warrior who resides in every being”. The Delhi show of Koogu will be held at Studio Safdar today.

The idea of the play was born when Victor and Bangalore-based French dancer Michel Casanovas began talking about life and what it means to be a performance artiste. “Our conversations revolved around performance artistes being in constant opposition to something or the other. This led us to wonder about what it means to be a warrior, about wars and whether there are wars at all or were they figments of the artiste’s imagination. We began to improvise and gave our discussions a life as theatre,” says Victor, adding that Casanovas is the dramaturge of Koogu.

The hour-long narrative of Koogu swings back and forth in time and between incidents from Victor’s life and events of the world. We hear of a grandmother who considered dancing “cheap” and not part of “our culture”; events at a church choir where girls and boys sang together; and a failed attempt at running the school marathon, among others. “Through these incidents, the performance explores the grey areas that exist within the psyche of every performer wherein the ‘character’ one is playing begins to merge with the personality of the ‘performer’,” says Victor, who illustrates his piece with the folk dance Devarattam and martial arts forms such as Silambattam and Tai Chi. Delhi audiences can notch up Koogu alongside recent performances that incorporated audience interaction into the script (C Sharp C Blunt and Something from Nothing among others). Koogu’s script celebrates resistance but his show doesn’t include a stellar episode from Victor’s college days. Three years later, he co-founded the theatre group Rafiki, from which he has now “taken retirement” to concentrate on his personal theatre practice. “I am trying to say that theatre is not a mirror; it is a prism through which you can see things in a fresh way,” he says.

Koogu will be staged at Studio Safdar, 2254/2A Shadi Khampur, on June 14, 7 pm. Entry: Free.
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