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Tuesday, July 17, 2018

The Great Indian Time Travel

Set to be adapted by six other countries,Anusha Yadav’s Indian Memory Project is a unique way of documenting Indian history

Written by AMRUTA LAKHE | Published: July 23, 2013 5:24:39 am

Staring blankly into the camera,the men hold their heads up while the wives,with their heads covered in a veil,sit demurely by their side with a prominent bindi adorning their forehead. Going through the website of Indian Memory Project feels like flipping through an old,dusty family album and turning one delicate,worn out page after the next.

In 2009,Mumbai-based photographer Anusha Yadav started working on a book on Indian weddings. “The book never happened,but as I collected more photographs,a concept started forming in my head,” she recounts. The pictures became the starting point for Indian Memory Project,which she eventually launched in 2010,in order to trace the history of the Indian sub-continent through photographs,postcards and letters from contributors around the world,creating a first-of-its-kind online archive. Soon,people were looking up their family albums to send Yadav images that told stories of Partition,migration,love and war. “You could trace a social change through these images — the way women were photographed with their husbands and changing professions of Indian men. It was the best way to understand our history,” she says.

While browsing her site,one spots familiar faces — Mahatma Gandhi,Rabindranath Tagore,RD Burman and Raj Kapoor — whose stories are told through their relatives. The archive today has close to 113 photographs — most of which are listed under four broad classifications. The category “Conversion of Faith” tells stories of people who changed their faith,while pictures of the first Indians to study abroad and the first girl rock band in the country are under the “First of a Kind” category.

Anyone can send their stories,provided they meet certain requirements. “Photos must be from the pre-digital era (before the ’90s) and must be submitted by family members only. An accompanying backgrounder helps viewers establish a connect,” says Yadav.

With the website generating more than eight lakh hits in over three years,the format is set to be adapted for six other countries — Estonia,South Africa,Nepal,Singapore,Sri Lanka and Iran. “The project shows people discussing subjects that were taboo when these pictures were clicked,such as extra-marital affairs,and inter-caste marriages,” says Yadav. Writer and filmmaker Jayabrato Chatterjee,who recently contributed a picture of his foster father,Rabindranath Tagore’s second child Rathindra Nath Tagore,agrees. “The project allowed people to start talking about their past,” he says.

Sreenivasan Jain,a journalist from Delhi,shared his grandparents’ photograph from 1923,in which they are seated side by side,holding hands — a rare sight in those days. “That’s not my grandparents’ wedding photo,but a moment in anticipation of what was to come — the freedom movement both of them fought for,” says Jain.

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