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‘Ramayan: Eternal | UniversaL’ juxtaposes early prints from the Raja Ravi Varma Press with modern works

Revisiting Ramayana & its many visual interpretations

Artist Dhaval Prajapati’s sculptural painting The Constant Witness depicts Lord Hanuman in three-dimensional relief with miniature scenes unfolding across the surfaceArtist Dhaval Prajapati’s sculptural painting The Constant Witness depicts Lord Hanuman in three-dimensional relief with miniature scenes unfolding across the surface

Written by- Nishant Bal

AN EXHIBITION bringing together historical oleographs and contemporary artworks inspired by the Ramayana opened at the DRS Arts Company gallery in Ahmedabad on Thursday, presenting a range of artistic responses shaped by material, process and evolving practices. It also coincided with the second anniversary of the inauguration of the Ram Temple in Ayodhya, Uttar Pradesh.

Titled ‘Ramayan: Eternal | Universal’, the exhibition juxtaposes early prints from the Raja Ravi Varma Press with modern, contemporary works. It examines how visual interpretations of the epic have shifted across time, by showcasing works by modern masters such as M F Husain and Jamini Roy, alongside contemporary practitioners. The show will travel from Ahmedabad to Ayodhya to the Evoke Rambagh from April 1 to September 30.

Curator Chaitya Dhanvi Shah said the exhibition was conceived as a continuum of expression, rather than a contrast between old and new. He said that the “intent was to allow artists to engage with the Ramayana through contemporary visual languages whilst remaining attentive to the cultural weight of the text”. The show features work by around 20 artists. Among the contemporary works is Maha Setu by Harshil Patel. The installation, purported to resemble the bridge built in the mythological text, runs along the floor of the exhibition space and employs sand as a primary material, with cut-outs of the ‘vanar sena’.

Artist Dhaval Prajapati’s sculptural painting The Constant Witness depicts Lord Hanuman in three-dimensional relief with miniature scenes unfolding across the surface. He told The Indian Express that engaging with the Ramayana “required sustained research and careful material choices, given the narrative’s familiarity across audiences”. Taken together, the exhibition reflects how contemporary artists negotiate that familiarity through varied forms and processes.

The exhibition is on view at DRS Arts Company, S G Road, Ahmedabad, until February 2, between 4 pm and 10 pm daily.

(Nishant Bal is an intern at the Ahmedabad office of The Indian Express)

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