Kishori Amonkar doesn’t like interviews. Apart from considering them a waste of time “because they take away important minutes from her daily riyaz and teaching”, she doesn’t like to talk about her music with strangers. So, when one of the greatest classical vocalists of our times left us stranded outside her hotel suite in Delhi almost two months ago, refusing an interview that was already fixed, it wasn’t a surprise. “I am tired now. Tell her to come home if she wants to talk,” she said from behind the door, as her student Nandini Bedekar looked at us apologetically.