Even if the story was a little better, there is something quite pathetic about wrinkled, greying men on the wrong side of 40 behaving like their selves from the right side of 20.
This is far from Fuqua's own Training Day and Washington's other impressive body of work, but The Equalizer is a good reminder of what we may be missing.
'Happy Ending' piles up many more as it goes along, making the film a series of been-here, seen-this moments, and a wasted opportunity.
Boyhood could very well have been called Girlhood. But it may be no coincidence that Linklater went with the first name.
Kill Dil movie review: This isn't one of those films that slides after a promising start. This begins badly, plods away the way it began, and ends worse.
A rose by any other name may smell as sweet, but there is little to recommend this fairytale told countless times before.
'Nightcrawler' is no 'Taxi Driver', and Lou while a reflection of our full and empty times isn't really a product of it.
'Interstellar' has everything - an Earth-bound story of loss and longing, a space-bound story of endeavour and enterprise, and even an audience-bound message of preserving our planet.
The Shaukeens movie review: Three dirty old men 'leching' at a pretty young thing is what ‘The Shaukeens’ sets out to show.
‘Rang Rasiya’ feels like a choppy costume drama marred by false notes and static ‘acting’ .
The story is about three estranged friends, who also happen to be filmmakers, being approached by a younger filmmaker to meet a producer, who has agreed to finance the portmanteau film.
Pitt is taking up from where he let off in Inglourious Basterds, without that film’s delicious touch of irony.
The beauty of Gone Girl was how it made it all seem plausible when suddenly it didn't.
There are patches which feel well –observed, especially when they are based in Mumbai’s swish spots—pretty people talking about London flats, and well-attired investment bankers in their offices with a view.
Movie Review Super Nani - Within a second of the film starting, I was clutching my ears, looking for something to stuff them with.
At nearly three hours, ‘Happy New Year’ is a long showreel of what Khan the director and Shah Rukh Khan the superstar can do, which is this : put on display rippling eight ( or is it twelve?) packs whenever you get the chance.
By the time a government report came out confirming Webb's story, the film notes, it was lost in the excitement surrounding the President Clinton-Monica Lewinsky affair.
When reminded of his avarice, Hank notes, "Everyone wants an Atticus Finch till there's a dead prostitute in the tub." Deep? Still trying to figure out that one.
There was a time when Cameron Diaz would have breezed through this role. There was a time when Jason Segel could have winged it with her.
Rhea tries for perkiness but comes off as a weak link, her foul-mouthedness is more forced than natural. Anupam Kher is over-the-top.
"GOD works in mysterious ways," says Chloe (Thomson) right at the beginning of Left Behind. Indeed. Otherwise what explains this dud of a film.
Even in comparison to The Conjuring -- with its fantastic cast of actors and its sub-text of research and years of pain -- Annabelle pales.
For this dish, you need to assemble the following. Read on.
Hrithik is the film’s eye candy and the prime shooter, all rolled into one, and gives you some amount of bang. The rest is burble.
Vishal Bharadwaj’s third Shakespearean adaptation,` Haider’ urf `Hamlet’ is a spectacular looking film, each little detail of set and setting perfect.
Two Night Stand isn't as bad but, worse, it's boring and insipid, despite all the sex talk and sexual implications along the way.
The three Marines bring back not just post-traumatic stress disorder from that encounter.
Sunile Shetty looks gray and drawn. The only one who catches the eye is Ashutosh Rana but bites into it with relish
Movie Review Chaarfutiya Chhokare - Not one thing rings true. Not the leading lady, not the young chokras.
What can you say about a film that so swears about its cerebralism as to discuss sickle cell anaemia at some length, and then picturises a disturbing sequence of a 14-year-old being admired by two sexual predators against an astonishingly and unironically sunny number?
The Maze Runner comes in soberingly dark tones, backed by solid acting.
Daawat-e-Ishq review: The coming together of Gullu and Taaru feels like left-overs.
Its biggest strength is that it keeps it consistent, becoming one of those films that over-delivers because it under-promises.
Clearly, you need to find something for John Cusack to do in this mess of a film apart from look groggy eyed?
The 3D in the title is positioned such that it draws your eye immediately, and you know why as soon as the film begins.
Finding Fanny review: It is an unlikely bunch, getting together for an unlikely reason, and we are supposed to fall in love with the characters.