PK review: Aamir Khan plays PK not only to his strengths, but adds something new: we’ve seen his earnestness several times before, but not artlessness.
Amelia lost her husband while on way to hospital to deliver Samuel. She loves him but, seven years later, still hasn't got around to giving him a birthday party.
And so it ends. After five films, 13 years and at least 17 Academy awards, the tale of Middle Earth on the big screen has drawn to a close.
Lingaa movie review: Like all his films, it is basically three hours of Rajini Saar doing his thing. And it is three hours of full-on 'masti' and 'mazaa'.
A father gives up his life, a son is left moping, and a mother constantly crying. The ‘kabaddi boys’ are more ‘men’, and the treatment makes it banal and dull.
Main Aur Mr Riight Review: Varun Sobti gets the hungry-actor look right, but the smiley Shenaz Treasurywala needed to be deeper.
A RECENTLY departed father, an unstoppable mother, four middlingly successful children, their neighbourhood past flings and one week at the family home.
Ridley Scott's Exodus is as epic in scale as the director likes them, with horses, swords and men in togas.
'Sulemani Keeda' gives us a couple of struggling script-writers that makes us smile. But the film takes the 'slacker' part of its title (slacker comedy) a bit too seriously.
‘Bhopal : A Prayer For Rain’ plays out like a much-delayed requiem for the thousands that were killed and maimed that night.
Action Jackson movie review: Ajay Devgn doesn’t need to stoop this low: so what if he can't dance, he can keep a straight face while delivering a joke.
There are a lot of risque jokes, plenty of abusive language and a plot that seems suspiciously like it was made up as the film went along.
We know how it's all going to end, and perhaps even how it's all going to start. Still it's one of those films which -- even if by commercial design, to milk the maximum out of a successful franchise -- takes a pause to give you an idea of what lies in the interrgenum.
Zed Plus turns out to be a mildly engaging but overall patchy attempt at political satire from the man who gave us the memorable Doordarshan serial Chanakya.
Ungli is empty, and left me collecting my jaw from the floor, where it lay through the film.
Even if the story was a little better, there is something quite pathetic about wrinkled, greying men on the wrong side of 40 behaving like their selves from the right side of 20.
This is far from Fuqua's own Training Day and Washington's other impressive body of work, but The Equalizer is a good reminder of what we may be missing.
'Happy Ending' piles up many more as it goes along, making the film a series of been-here, seen-this moments, and a wasted opportunity.
Boyhood could very well have been called Girlhood. But it may be no coincidence that Linklater went with the first name.
Kill Dil movie review: This isn't one of those films that slides after a promising start. This begins badly, plods away the way it began, and ends worse.
A rose by any other name may smell as sweet, but there is little to recommend this fairytale told countless times before.
'Nightcrawler' is no 'Taxi Driver', and Lou while a reflection of our full and empty times isn't really a product of it.
'Interstellar' has everything - an Earth-bound story of loss and longing, a space-bound story of endeavour and enterprise, and even an audience-bound message of preserving our planet.
The Shaukeens movie review: Three dirty old men 'leching' at a pretty young thing is what ‘The Shaukeens’ sets out to show.
‘Rang Rasiya’ feels like a choppy costume drama marred by false notes and static ‘acting’ .
The story is about three estranged friends, who also happen to be filmmakers, being approached by a younger filmmaker to meet a producer, who has agreed to finance the portmanteau film.
Pitt is taking up from where he let off in Inglourious Basterds, without that film’s delicious touch of irony.
The beauty of Gone Girl was how it made it all seem plausible when suddenly it didn't.
There are patches which feel well –observed, especially when they are based in Mumbai’s swish spots—pretty people talking about London flats, and well-attired investment bankers in their offices with a view.
Movie Review Super Nani - Within a second of the film starting, I was clutching my ears, looking for something to stuff them with.
At nearly three hours, ‘Happy New Year’ is a long showreel of what Khan the director and Shah Rukh Khan the superstar can do, which is this : put on display rippling eight ( or is it twelve?) packs whenever you get the chance.
By the time a government report came out confirming Webb's story, the film notes, it was lost in the excitement surrounding the President Clinton-Monica Lewinsky affair.
When reminded of his avarice, Hank notes, "Everyone wants an Atticus Finch till there's a dead prostitute in the tub." Deep? Still trying to figure out that one.
There was a time when Cameron Diaz would have breezed through this role. There was a time when Jason Segel could have winged it with her.
Rhea tries for perkiness but comes off as a weak link, her foul-mouthedness is more forced than natural. Anupam Kher is over-the-top.
"GOD works in mysterious ways," says Chloe (Thomson) right at the beginning of Left Behind. Indeed. Otherwise what explains this dud of a film.