Maggie review: We get full-blown infected, and how the town deals with them; we get teens half-way there, and how their parents cope with that.
Ishqedarriyaan review: Mahakshay returns in a badly-written romance, which makes you wonder why anyone would want to repeat the same mistakes.
Welcome 2 Karachi review: Arshad Warsi and Jaccky Bhagnani movie manages to end on a hilarious note, sending us out laughing. For a comedy, that’s a win.
'Poltergeist' movie review: The movie still falls back on TV, and does hardly anything with it.
'Tomorrowland' review: It's a disappointment from a director who has given us delightfully entertaining and intelligent films such as Ratatouille and The Incredibles before.
Tanu Weds Manu Returns movie review: Kangana Ranaut plays it beautifully, mixing up the familiar with the new.
'Danny Collins' already reeling under a predictable script, just sinks. Lennon's songs, and one original, can keep you going, but only so far.
Many old Mad Max fans are heartbroken at Charlize Theron being the real hero of this film. Nicholas Hoult is the closest in the acting department to Theron as Joe's "war boy" chasing imagined glory, while Tom Hardy is all lips.
Bombay Velvet review: Ranbir Kapoor looks perfect for his Cagney-esque part, Anushka Sharma shines only occasionally.
The comic timing of both Reese Witherspoon and Sofia Vergara, keep the laughs coming.
'Playing It Cool' clearly isn't making a play for East Asia. Rest all is game.
'Piku' movie review: Big B, Deepika and Irrfan's movie sparks in moments. But the rest of it stays only mildly amusing.
A delightful and witty comedy, it warmly embraces the likes of us while gently treating those others, ribbing both and mocking none.
‘Gabbar Is Back’ review: Akshay Kumar starrer shows up severe limitations all around, of the juiced-out South -'masala'-genre.
Avengers takes barely a pause between its various supernatural clashes, including a really long one between Iron Man and The Hulk, and its collapsing buildings, vehicles, roads and tracks.
You keep wanting 'Kaagaz Ke Fools' to ‘ho ja shuru’, but it doesn’t have the feet for it.
'Jai Ho Democracy' criminally wastes an array of good actors: Kapoor, Puri, Hussain, Biswas, Bashir raise their decibel with zero impact.
The Water Diviner is “inspired by true events” and based literally on a line about a father.
A valiant officer who is part of an anti-terrorist squad transforms from a flesh-and-blood human to the mysterious Mr X.
Laila is not a 'bechari'-- that poor thing : she acknowledges her difficulties but doesn't let them overwhelm her.
'Court' is a searing, unmissable film, and is one of the best you will see this year . If you feel any other way, well, go ahead, sue me.
The film has many horror and scary elements while towards the end, 'It Follows' does become irksome, appearing repetitive despite its short length, one can take away that heartwarming thought.
Broken Horse review - The moral of the story for Chopra: If you want to try something new, perhaps go for something new.
Ek Paheli Leela review - Why pretend towards a plot, when all this film wants to do is to exploit its leading lady?
Dharam Sankat Mein review: It's much too long, saying the same thing over and over again.
Family again hangs around all the time in the background in Furious 7.
Detective Byomkesh Bakshy's biggest weakness is its leading man: Sushant Singh Rajput.
'The Gunman' is about a killer, a political assassination, some regrets, lots of deaths across two continents, a love story, and most improbably, the effects of head trauma.
Run All Night doesn't do as well with the relationship between Jimmy and Michael, though Kinnaman is efficient enough.
Maybe the intention of 'Barkhaa' was to tell us that ladies who dance for a living also have the right to respectability but a mothballed plot and an even more mothballed treatment isn’t the way forward.
The Second Best Exotic Marigold Hotel' has little in terms of a story except a wedding, and Richard Gere. The wedding involves engagement, sangeet, and the shaadi itself.
With all the justifications of this post-acolapyse world dealt with in the first film, 'Insurgent' purely involves three women who are making the world around them spin.
‘Hunterr’ could have been a genuinely ‘adult’ comedy of manners, but it stays right where it begins, the phrase ‘coming-of-age’ functioning more as eliciting an embarrassed titter than reaching the goal-post.
In her directorial debut that travels to TIFF Kids next month, Seemaa Desai turns the idea of a genie on its head
THE most surprising part of Chappie, by Academy Award-nominee Blomkamp, is that Hugh Jackman plays second fiddle to Dev Patel.