Sonam Kapoor is in almost every frame, and should have filled them all. But the treatment of the character shows up her limitations.
Baby movie review: This is Akshay’s most credible performance in a long time, and reminds us the actor he can be.
A movie based on a childhood favourite book can usually never measure up.
The film tells Turing's life in three chapters, which run parallel to each other.
Without getting into the politics of this, Eastwood tells a straight-from-the-hip story of this sniper over four tours of war-torn Iraq.
It gives us a close look at the withering away of Hawking's body under motor neuron disease or Lou Gehrig's disease.
'Crazy Cukkad Family' promises a lot of fun cock-a-doodle-do, but delivers much too much cockamamie, instead.
Bipasha Basu starrer quickly becomes a tussle between the scenes that want you to be scared and the sequences where you are supposed to slurp at all the eye candy.
'Aambala', which directly translates to masculine, is like film made by 'Singam' fame Hari Gopalakrishnan, who is known for making films with flying objects.
Eerily, Margaret also sees these eyes at times, randomly, on people she encounters in the midst of a painting spree.
In Taken 3, Bryan Mills's (Neeson) ex-wife Lenore is found murdered with him holding the murder weapon.
Tevar review: It makes you a couple of promises : that it will be violent, vicious and crude; and that it will do nothing new.
There are almost no heroes in this chapter of the war treated mostly as a postscript.
The only one who lends her fears a sympathetic ear is Harry (Irvine), a dashing pilot stationed off the island in the village.
Joy Sengupta is one of those dads who is never satisfied. His son comes second in class and in a race, and his world comes crashing down.
So dinosaurs have company in mythical demons, and Pompeii's volcano meets Camelot's swashbuckling Lancelot.
'Ugly' film review: It takes that darkness to an extreme, even more so that his first, unreleased 'Paanch': a little girl goes missing, and what happens subsequently (and consequently) does not just flow from the fear and anguish.
PK review: Aamir Khan plays PK not only to his strengths, but adds something new: we’ve seen his earnestness several times before, but not artlessness.
Amelia lost her husband while on way to hospital to deliver Samuel. She loves him but, seven years later, still hasn't got around to giving him a birthday party.
And so it ends. After five films, 13 years and at least 17 Academy awards, the tale of Middle Earth on the big screen has drawn to a close.
Lingaa movie review: Like all his films, it is basically three hours of Rajini Saar doing his thing. And it is three hours of full-on 'masti' and 'mazaa'.
A father gives up his life, a son is left moping, and a mother constantly crying. The ‘kabaddi boys’ are more ‘men’, and the treatment makes it banal and dull.
Main Aur Mr Riight Review: Varun Sobti gets the hungry-actor look right, but the smiley Shenaz Treasurywala needed to be deeper.
A RECENTLY departed father, an unstoppable mother, four middlingly successful children, their neighbourhood past flings and one week at the family home.
Ridley Scott's Exodus is as epic in scale as the director likes them, with horses, swords and men in togas.
'Sulemani Keeda' gives us a couple of struggling script-writers that makes us smile. But the film takes the 'slacker' part of its title (slacker comedy) a bit too seriously.
‘Bhopal : A Prayer For Rain’ plays out like a much-delayed requiem for the thousands that were killed and maimed that night.
Action Jackson movie review: Ajay Devgn doesn’t need to stoop this low: so what if he can't dance, he can keep a straight face while delivering a joke.
There are a lot of risque jokes, plenty of abusive language and a plot that seems suspiciously like it was made up as the film went along.
We know how it's all going to end, and perhaps even how it's all going to start. Still it's one of those films which -- even if by commercial design, to milk the maximum out of a successful franchise -- takes a pause to give you an idea of what lies in the interrgenum.
Zed Plus turns out to be a mildly engaging but overall patchy attempt at political satire from the man who gave us the memorable Doordarshan serial Chanakya.
Ungli is empty, and left me collecting my jaw from the floor, where it lay through the film.
Even if the story was a little better, there is something quite pathetic about wrinkled, greying men on the wrong side of 40 behaving like their selves from the right side of 20.
This is far from Fuqua's own Training Day and Washington's other impressive body of work, but The Equalizer is a good reminder of what we may be missing.
'Happy Ending' piles up many more as it goes along, making the film a series of been-here, seen-this moments, and a wasted opportunity.
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