Senior Assistant Editor (Film)
Harneet Singh, Senior Editor (Films), is fully filmi. She has imaginary conversations with Guru Dutt, Vijay Anand and Hrishikesh Mukherjee, still gets breathless when she watches Guide, or, Pyasa or, Anand; and believes the soundtrack of her life is sung by Geeta Dutt. Her love affair with cinema started at the age of three when she saw Mithun Chakraborty in Disco Dancer, at Prabhat Talkies, in Mirzapur. Singh, a senior assistant editor, won the Ramnath Goenka award for excellence in journalism, in 2009. She also likes the poems of Rumi, Ghalib, Gulzar and Neruda, loves watching cricket and is especially fond of Mahendra Singh Dhoni whom she lovingly addresses as 'MahiMan'. Her idea of happiness includes rain, thunderstorms, mountains and lots of coffee. Singh has been writing on films and film stars for this newspaper for over a decade. Cut!
Lyricists Raj Shekhar, Varun Grover, Manoj Muntashir and Ravinder Randhawa on their struggle in Bollywood
NH10 director Navdeep Singh on why it has become difficult to make films, his love for cigarettes and why he finds the fanboys of Andheri a pain
Sushant Singh Rajput talks about his upcoming film, 'Detective Byomkesh Bakshy' and playing MS Dhoni.
Debutante Bhumi Pednekar on playing the overweight protagonist of 'Dum Laga Ke Haisha', learning to respect her body and why she wants to steer clear of stereotypes.
Baazi was a milestone in Dev Anand’s life — his fortunes changed in every way possible.
Anushka Sharma on her ‘baby’ NH 10, boyfriend Virat Kohli, and playing the girl wielding a rod.
Oscar 2015 night was a strange bag—the ceremony was long and dull and the speeches hit the best notes.
Finally Bollywood is coming out of the business of darkness and taking it lightly. We have grown up. Haven’t we?
Priyatama is about how a couple handles a hasty marriage.
Here's the updated and fully loaded Bollywood dictionary of 2014: From Baby Doll, PK to Zindagi.
Anushka Sharma on PK and her lips, tackling online bullies and boyfriend Virat Kohli.
Parineeti Chopra and Saif Ali Khan were slated to pair up in a movie to be directed by Saif’s ex producing partner, Dinesh Vijan, but the project got shelved.
Shah Rukh Khan on the right way to achieve success, his favourite characters from his own films, handling calls from gangsters and the SRK biopic
I was missing the sounds that envelop the home when it’s a festival. Nobody was haranguing me to “get dressed properly and not look like a jhalli billi”.
Humsafar’s Mahira Khan on the show that changed her life and the Pakistani television industry.
"Haider is an extension of what I have attempted in Maqbool and Omkara," says Bhardwaj.
Tabu on Haider, being Shahid Kapoor’s mother and women-driven films
BR Chopra’s Gumrah is remembered as much for its bold storyline as for its music.
There are some who believe Deepika Padukone's reaction is a “well timed stunt” to bolster the collections of her just released Finding Fanny.
Priyanka Chopra talks about Mary Kom, 100 crore heroines, girls on film, surviving a decade in Bollywood and being a game changer.
This M Sriramulu Naidu-directed film is not a classic by a long shot, it’s not even as memorable as Kohinoor.
With social media becoming all invasive, we are on our way to being known as the generation that critiqued more than it created.
Pakistani heartthrob Fawad Khan on his experiments with acting and growing up on Bachchan movies.
Rani Mukerji on her marriage, husband, cook, self-defence and her latest film Mardaani
With Finding Fanny, I wanted to go back to a place where time stood still, said Homi Adajania.
Today’s stars don’t get stumped at any question. Sonam Kapoor stumped me. Alia Bhatt didn’t lie on my show.
Meena Kumari’s last film is an enduring classic.
With Kick, Rajat Arora hopes to recreate the same success of The Dirty Picture and Once Upon a Time in Mumbaai
Six months and six lessons at the movies.
Meet Sanam Saeed aka Zindagi Gulzar Hai’s Kashaf.
Riteish Deshmukh learns the meaning of misogyny and talks about playing a negative role in Ek Villain.
There was a time, post Hum Saath Saath Hai and Dil Chahta Hai when Saif was making the most exciting choices in the Mumbai film industry.
Amitabh Bachchan on his first fiction TV outing, Yudh
The most common texts on the Preity and Ness issue: “Preity has lost the plot.” and “Is Preity mad? Why go to the cops?”
Director Mohit Suri on his cinema and music, his pre-Aashiqui 2 days in the wilderness and his forthcoming Ek Villain.