The story is predictable, the jokes flat, and the action put there because, well, you can’t very well have a heist otherwise.
The film tells Turing's life in three chapters, which run parallel to each other.
Without getting into the politics of this, Eastwood tells a straight-from-the-hip story of this sniper over four tours of war-torn Iraq.
It gives us a close look at the withering away of Hawking's body under motor neuron disease or Lou Gehrig's disease.
Eerily, Margaret also sees these eyes at times, randomly, on people she encounters in the midst of a painting spree.
In Taken 3, Bryan Mills's (Neeson) ex-wife Lenore is found murdered with him holding the murder weapon.
There are almost no heroes in this chapter of the war treated mostly as a postscript.
The only one who lends her fears a sympathetic ear is Harry (Irvine), a dashing pilot stationed off the island in the village.
How do I explain to my children that school was not always a battleground?
So dinosaurs have company in mythical demons, and Pompeii's volcano meets Camelot's swashbuckling Lancelot.
Amelia lost her husband while on way to hospital to deliver Samuel. She loves him but, seven years later, still hasn't got around to giving him a birthday party.
And so it ends. After five films, 13 years and at least 17 Academy awards, the tale of Middle Earth on the big screen has drawn to a close.
A RECENTLY departed father, an unstoppable mother, four middlingly successful children, their neighbourhood past flings and one week at the family home.
Ridley Scott's Exodus is as epic in scale as the director likes them, with horses, swords and men in togas.
There are a lot of risque jokes, plenty of abusive language and a plot that seems suspiciously like it was made up as the film went along.
We know how it's all going to end, and perhaps even how it's all going to start. Still it's one of those films which -- even if by commercial design, to milk the maximum out of a successful franchise -- takes a pause to give you an idea of what lies in the interrgenum.
Even if the story was a little better, there is something quite pathetic about wrinkled, greying men on the wrong side of 40 behaving like their selves from the right side of 20.
This is far from Fuqua's own Training Day and Washington's other impressive body of work, but The Equalizer is a good reminder of what we may be missing.
Boyhood could very well have been called Girlhood. But it may be no coincidence that Linklater went with the first name.
A rose by any other name may smell as sweet, but there is little to recommend this fairytale told countless times before.
'Nightcrawler' is no 'Taxi Driver', and Lou while a reflection of our full and empty times isn't really a product of it.
'Interstellar' has everything - an Earth-bound story of loss and longing, a space-bound story of endeavour and enterprise, and even an audience-bound message of preserving our planet.
Pitt is taking up from where he let off in Inglourious Basterds, without that film’s delicious touch of irony.
The beauty of Gone Girl was how it made it all seem plausible when suddenly it didn't.
By the time a government report came out confirming Webb's story, the film notes, it was lost in the excitement surrounding the President Clinton-Monica Lewinsky affair.
When reminded of his avarice, Hank notes, "Everyone wants an Atticus Finch till there's a dead prostitute in the tub." Deep? Still trying to figure out that one.
There was a time when Cameron Diaz would have breezed through this role. There was a time when Jason Segel could have winged it with her.
"GOD works in mysterious ways," says Chloe (Thomson) right at the beginning of Left Behind. Indeed. Otherwise what explains this dud of a film.
Even in comparison to The Conjuring -- with its fantastic cast of actors and its sub-text of research and years of pain -- Annabelle pales.
Children actually outgrow their mothers, no matter how much Narendra Modi may tell us otherwise.
One evening, she got out on the balcony, and there he stood. Alone, with something in his hand. Where had he come from?
Two Night Stand isn't as bad but, worse, it's boring and insipid, despite all the sex talk and sexual implications along the way.
The three Marines bring back not just post-traumatic stress disorder from that encounter.
What can you say about a film that so swears about its cerebralism as to discuss sickle cell anaemia at some length, and then picturises a disturbing sequence of a 14-year-old being admired by two sexual predators against an astonishingly and unironically sunny number?
The Maze Runner comes in soberingly dark tones, backed by solid acting.
The glamour associated with Gulf emigration is still very strong among the Kerala youngsters.
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