Friday, Oct 24, 2014

Putin, Sisi and ‘The Square’

It captures some of the most important shifts today. No palace will remain hidden by high walls, not even the giant one reportedly being built for Putin on the Black Sea.  Reuters It captures some of the most important shifts today. No palace will remain hidden by high walls, not even the giant one reportedly being built for Putin on the Black Sea. Reuters
New York Times Written by Thomas L Friedman | Posted: March 3, 2014 12:58 am | Updated: March 3, 2014 9:42 am

Both strongmen should watch the Egyptian film resonating from Cairo to Kiev.

The Egyptian strongman Field Marshal Abdul Fattah el-Sisi was recently in Moscow visiting with Russian strongman Vladimir Putin. Putin reportedly offered Sisi $2 billion in arms — just what a country like Egypt, where half the women can’t read, needs. The whole meeting struck me as so 1960s, so Nasser meets Khrushchev — two strongmen bucking each other up in the age of strong people and superempowered individuals. Rather than discuss arms sales, Sisi and Putin should have watched a movie together.

Specifically, Sisi should have brought a copy of The Square — the first Egyptian film ever nominated for an Oscar. It’s up this year. Sisi has a copy. Or, to be more precise, his film censor’s office does. For the last few months, the Egyptian authorities have been weighing whether to let the film — an inspiring and gripping documentary that follows six activists from the earliest days of the Tahrir Square revolution in 2011 until the Muslim Brotherhood was ousted by Sisi in 2013 — to be shown in Egypt. Meanwhile, pirated and downloaded copies of the film, which is also on Netflix, have spread virally across Egypt and been viewed by many Egyptians in homes and coffeeshops and discussed on social media. What’s more, it was recently

dubbed into Ukrainian and downloaded (some 300,000 times) by protesters there and shown in the Maidan, which also means the Square, in Kiev. A dubbed version is now spreading in Russia, too, said the film’s director Jehane Noujaim, who also directed Control Room.

“This is the globalisation of defiance,” Noujaim said to me. “With cheap, affordable cameras and internet connections, anyone now can change the conversation” anywhere. It’s true. The film resonates with those who gathered in squares from Cairo to Caracas to Kiev, added the film’s producer, Karim Amer, because it captures an increasingly universal phenomenon: average people uniting and deciding “that the Pharaoh, the strongman, won’t protect us” and the religious sheikh “won’t cleanse us.” We can be and must be “authors of our own story.” It has long been said, added Amer, that “history is written by the victors. Not any more.” Now versions can come from anywhere and anyone. Power is shifting “from the pyramid to the square” — from strongmen to strong people — “and that is a big shift.”

And that’s why Putin and Sisi need to see the film. (Disclosure: the filmmakers are friends of mine, and I have been discussing their project with them for two years.) It captures continued…

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