Thursday, Nov 27, 2014

Holy Fonts: Two calligraphers exhibit their work on Buddhist and Islamic calligraphy

Calligraphic creations by Jamyang Dorjee and Anis Siddiqui. Calligraphic creations by Jamyang Dorjee and Anis Siddiqui.
Written by Pallavi Chattopadhyay | New Delhi | Posted: August 12, 2014 12:03 am | Updated: August 12, 2014 10:40 am

In 2010, Jamyang Dorjee from Sikkim created the longest calligraphy scroll using handmade Tibetan lokta paper measuring 16.3 metres, with 65,000 Tibetan characters. Inspired by a photograph in a Chinese newspaper where he saw a man holding a certificate for making the longest calligraphy scroll measuring 15 metres (which Dorjee later discovered to be false), he set out to create the record that took six months to complete. Dorjee’s 18 new works that lend an insight into Buddhist calligraphy in Bhoti are part of an exhibition titled “Divinity in Syllables”, which is on display at the Art Gallery in India International Centre, Annexe.

Dorjee’s calligraphic work Thamsik, looks at the spiritual bond between a teacher and his student, an important aspect of Buddhism.

“Developed in the seventh century, Bhoti is based on Devanagiri and Pali and is deep-rooted in the Indian script,” he says. Alongside Dorjee’s frames on Buddhist calligraphy are 24 works on Urdu calligraphy by Anis Siddiqui. One of them have Ghalib’s poetry: “aadmi ko bhi mayassar nahi insaan hona” etched in his distinctive style. Siddiqui has to his credit the honour of receiving the first National Award in calligraphy from the President in 1984 and has been teaching the subject at Jamia Millia Islamia University since 1980.

Siddiqui, who also learnt Tibetan calligraphy in 2003, is quick to point out the similarities between Islamic and Buddhist calligraphy.

“Often, we make a large letter across the canvas using the brush without dipping it in ink after the first time. Dorjee has also used this technique,” says Siddiqui. “In Buddhist calligraphy, the entire focus was on signs and teachings of Buddhism, not on art,” says Dorjee.

Kshipra Simon, who has curated the show, says she was inspired by a small discussion that triggered the idea for the show. “If you see the works in the exhibition, they are at peace and harmony. If these letters can be at peace, why can’t people be?” she says.

While the onset of laptops and computers might have posed a threat to the world of calligraphy, Dorjee feels there are few emotions that a laptop cannot imitate. “When you type using a laptop, you use your hands and mind. But when you practise calligraphy, you do it with your heart,” says 60-year-old Dorjee.

The exhibition is on display
till August 16 at IIC Annexe
Building, Lodhi Road

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