Last week, the famous Pithora folk art practiced by Bhil, Bhilala and Rathwa tribes was presented in this column towards our pursuit of highlighting the traditional occupations underscoring rich art and aesthetics from rural India.
Bhilala tribe and their indigenous occupations are studied by anthropologists and cultural studies enthusiasts with much passion and fervor owing to their flair for colors and creativity. Beautiful, symmetrical and meticulously intertwined glass and plastic beads, which the Bhilala women weave into necklaces, armlets, earrings and rings is what makes the household economics complete – with Bhil men engaging in Pithora folk art and their female counterparts celebrating their traditions by creating beaded necklaces, chokers or vernacularly known as ‘Galsan Maalas’.
Ancestral silver: Vintage value and Inspiration
Jewellery is an important means of saving for rural women. A walk down the villages of Aadharkaanch or Dehrikheda villages in the district will highlight the socio-economic and psychological aspect tribal women associate to jewellery.
Lack of safe and secure spaces to store precious jewels is one reason why most women almost always wear silver Hansli (collar necklace), heavy armlets, anklets and earrings. Also, to dress up for the local haat bazaar with rich embroidered Ghagras in rich purples, pinks and reds with silver, every Sunday.
It is a delight to notice these colors embellished with such ethnic antique pieces of jewellery of royal and intricate styles which exude authenticity, and is a luxury to find these days in the era of substitutes lacking originality.
Their ancestral and royal, Chaandi ki Hansli made of coins and silver is one of the most sought after vintage pieces of tribal jewelry valued by cultural connoisseurs all across the globe. This passes on from mother to daughter, daughter in law thereby preserving its hereditary quotients and its innate historical appeal.
Because jewellery is such an integral part of their lives, women from this tribe unleash their creative talents into hand-made ornaments heavily drawing from their traditional metal and silver jewels. Cowrie shells, embroidered cloth, wool, sequins, glass and plastic beads – are all easily accessible to Bhilala women for bead work.
Heavily influenced from parts of Gujarat and also dependent on the territory for raw materials– this beautiful weaving of beads travelled to Jobat in Alirajpur from parts of Gujarat and Rajasthan before metamorphosing into one of the primary occupations of women in the district receiving attention and support from administrations.
The ‘Galsan Maala’ of beads, used by tribal women as a convenient day to day ornament, and also to make a living is a noticeable inspiration from the traditional silver Hansli. More importantly, these beaded necklaces also suit the urban styles and contemporary demand patterns originating from adjoining cities like Indore and Bhopal.
The life of lokshahirs, Maharashtra’s fabled people’s poets, is at the centre of the National Award winning film Court. On the trail of one such Dalit bard, Sambhaji Bhagat, you come face to face with a rebel and his cause.