Friday, Nov 28, 2014

India uses cinema to tell its stories, we use TV, says Kashaf of ‘Zindagi Gulzar Hai’

"India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films. In Pakistan, our medium is the small screen. "India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films. In Pakistan, our medium is the small screen.
Indo-Asian News Service | Posted: July 14, 2014 1:24 pm

Having immortalised strong women-oriented roles on TV screens across the border, young and multi-faceted Sanam Saeed, known to Indian audiences as Kashaf Murtaza of “Zindagi Gulzar Hai”, says that while India makes the most of its filmmaking capacity to tell stories, the medium in Pakistan is TV.

The 29-year-old is ecstatic and “grateful” that “Zindagi Gulzar Hai”, one of the most popular ongoing shows in India, has turned out to be the “first drama to have broken the ice across the borders in current times”, Sanam told IANS in her distinct baritone over the phone from Karachi.

“India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films. In Pakistan, our medium is the small screen.

“We don’t make many films, and hardly have theatres. A majority of people seek entertainment while sitting at home and TV gives it to them, so we excel on that part,” Sanam said, stressing that since their command over language and gift of the gab are “strong”, they have some prolific writers.

Shows from Pakistan are high on content and quality and Indian audiences are gradually coming face to face with them courtesy new channel Zindagi – Jodey Dilon Ko, a first-of-its-kind initiative, beaming entertainment and content from that side of the border here.

The line-up on Zindagi channel bears testimony to Sanam’s contention.

Her own show “Zindagi Gulzar Hai”, based on prolific writer Umera Ahmad’s novel of the same name, is a romantic drama focussing on women, portraying equality of the girl child and importance of a career for women.

Another show “Aunn Zara”, now over thanks to the finite nature of most Pakistani shows, was based on Faiza Iftikhar’s novel “Hisaar-e-Muhabbat” and caught the viewers’ eyes as it dwelt on family ties and strong female characters.

There’s also “Kaash Main Teri Beti Na Hoti” highlighting the struggles of the underprivileged and “Kitni Girhain Baqi Hain”, a gripping line-up of tele-films focussing on women from various walks of life.

As an artiste, Sanam, who was born in Britain and shifted to Karachi with her family when she was six, prefers to pick parts which depict a woman’s struggle.

“I’ve seen the effect some of my shows have had, and so I like characters that can be role models for young girls, roles that can help to change people’s perspective.”

By “people”, you mean?

“The masses. continued…

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