Ageless beauty

A Minute With: Catherine Deneuve on freedom and aging with grace

Mumbai | Updated: April 2, 2014 5:56 pm
Catherine Deneuve Catherine Deneuve

Catherine Deneuve is now in her sixth decade making films, but the French actress says she is too busy working these days to grow nostalgic about her past roles or films with acclaimed directors such as Luis Bunuel and Francois Truffaut.
In her latest film, On My Way, the 70-year-old Deneuve plays Bettie, a woman stuck in neutral who goes on a road trip to break free from the burden of her family’s struggling restaurant business and being dumped by her lover. Behind the wheel of her old car and wearing the same clothes for days, the ex-beauty queen, Bettie dances and drinks in the provincial club Le Ranch, smokes with strangers, falls into bed with two men and builds a loving relationship with her young grandson as the green French countryside rolls by. Many of the characters are played by non-actors.
Although she is not nostalgic about her career, Deneuve speaks about a certain nostalgia in On My Way, how she handles growing older and her favourite TV show from America.

How did you become a part of this Emmanuelle Bercot film?

I wanted to work with her; that is the main reason. I knew her as an actress and a director and I had seen her films, and I thought she was very interesting. Three years ago, we agreed we would do a film together. I liked the story she had written.

How often do you get offers like this from filmmakers?

Well, I know directors. Andre Techine also wrote films and parts for me. It’s not often, just sometimes.

What do you like about this character that was created especially for you?

I liked her freedom mostly. All of a sudden she stops in the middle of the kitchen and says, “No more. I’ll come back,” but then she goes and disappears. It is something everyone has been dreaming to do once.

Bettie has a fling with a younger man, Marco. Did you like that part of the story?

Yes, I thought it was very difficult to do. Emmanuelle wanted a
non-professional actor to play it, so we auditioned several young men. I thought it was worth a try.

He is brutally honest with you about what it is like to be with an older woman. How did you deal with that?

When he looks at me and he imagines the kind of beauty I was 25 or 30 years ago, I thought it was quite funny.

Later on, you meet an older man with whom you might have a more serious relationship. Do you think “mature love” is something accepted by movie audiences?

Maybe, I think it is more accepted in Europe than in Hollywood because we have less convention on that subject in Europe.

Does the film evoke French cinema from decades ago?

Yes, I think it does. You can stop everything, take your car, go away, show
the country, show people who live in the country. It’s a very gentle and kind look at people who live outside of cities in France. It reminds me of films made 25 years ago.

What is your secret to aging with grace?

You have to try not to fight so hard against time. Maybe because I have children and grandchildren, it’s a different rhythm. It’s a different way of looking at things other than yourself.

You recently did a photo shoot with a young model Kate Moss, which is quite brave. How do you feel so confident that you can do something like that?

It’s not that I feel confident. We met and when we were in Japan, we had fun together and decided it would be good to do a photo shoot together. Her agent suggested that we do a shoot for Vanity Fair. It was not like a drill or a contest. It was just doing something nice.

How do you select your films?

The script is the major thing and the director of course. More than the part, it is the story of the film and the director. The role has to be interesting, but it’s the whole thing that interests me.

Does working in Hollywood again hold any interest for you?

Yes, it would, but I haven’t been offered anything interesting.

Do you think Hollywood does not offer good roles to older actresses?

I think, it is more difficult than in Europe. I know a lot of actresses complain about that, but it seems to me a little less in the last few years.

Is there any director in Hollywood who catches your eye these days?

I watched Wes Anderson’s, Grand Budapest Hotel, and I thought it was a great film. So original, so personal. I like the works of Paul Thomas Anderson, Christopher Nolan and House of Cards director David Fincher.

How did you like House of Cards?

It’s so cynical. It’s incredible. It’s brilliant.


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