Saturday, Nov 01, 2014

Why India prefers stand-up comedy to improv

Anu Menon and Kaneez Surkha perform improv at the Cheer! Comedy Festival, which had more shows by comics than improvisers Anu Menon and Kaneez Surkha perform improv at the Cheer! Comedy Festival, which had more shows by comics than improvisers
Written by Amruta Lakhe | Mumbai | Posted: June 24, 2014 12:00 am | Updated: June 24, 2014 1:56 pm

Improv artiste Kaneez Surkha is often, to her annoyance, introduced as a stand-up comedian. There have been times when people have left her shows disappointed, expecting a stand-up act. “Improv is the ugly, neglected cousin of stand-up,” says Surkha.

Surkha was among the few improvisers who performed at the third edition of Cheer! Comedy Festival 2014 held at National Centre for the Performing Arts (NCPA) last week. While the festival did feature improv, stand-up acts formed the bulk of performers. Deepa Gahlot, Head-Programming (Theatre & Film) for NCPA, says that the format of stand-up appeals more to the audience because they are familiar with it. “There are more comics than improvisers in the city, which is why there is a disparity in popularity. Also, improv is much tougher,” she says about the form of comedy that was introduced in Mumbai in 2009, a few years after stand-up.

The difficulty in improv lies in taking to stage without a script. Unlike stand-up comics who perform with a prepared routine, improv artistes react to audience suggestions on the fly. “The content changes every second, so you have to be at your funniest best at all times,” says Brij Bhakta, who has been an improv artiste for the past 15 years and performs with Schitzengiggles, a city-based improv troupe. Theform is also challenging for the audience. The crowd needs to be involved in the performance throughout the show. “If the audience does not participate then the content also suffers,” says Surkha.

“In Mumbai, the scene is focused on short form improv,” says Adam Dow, founder of Improv Comedy Mumbai (ICM), one of the first troupes in the country. “The shows have references to popular culture or regional quirks, so you might hear a slow love ballad sung in the style of Yo Yo Honey Singh or 10 of the best improvised pick-up lines used during Navratri.” The problem, Gahlot has observed, is that the Indian audience is used to sitting back and being entertained. “Also larger audiences don’t work well for improv which needs smaller, more intimate groups so that everyone can take part,” she says.

The hit television show, Whose Line Is It Anyway?, has helped the genre reach a wider audience in the West. There are festivals and schools dedicated to improv abroad as well, but in India there is no supporting infrastructure. “We performed improv at festivals in Berlin, Amsterdam and Seattle and were amazed at how evolved their artistes and audiences were,” says Surkha, who heard about improv during a workshop conducted by Dow, after which she went on to work with ICM. Similarly, Bhakta did a three-year professional course at iO Theatre (formerly known as Improv Olympics from where popular improvisers Tina continued…

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